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Gemini Music

February 5th, 2009 (06:51 pm)

Gemini is the sign of the Twins. It’s the sign of Mutable Air. What sort of music might fit with this quick-minded sign?

The mutability suggests music that flows and changes. The air element means that there has to be a clear intelligence at work. And Gemini is ruled by Mercury so this reinforces the intelligent communication. Maybe some gentle humour and an overall lightness of touch as well.

Gemini rules the fingers so there should also be some real high-speed, virtuoso playing involved. Certainly none of the heavy-duty emotional depth of the sign of Scorpio.

So, we’re looking for music that has something of the dual nature of the Twins and that is quick-witted, enjoyable, light-hearted, playful and intelligent.

- - -

Starting off with the nimble-fingered side of Gemini, it’s intriguing to find that two top Jazz clarinettists Benny Goodman and Artie Shaw were both born with the Sun in Gemini. I find it hard to think of Benny Goodman, the so-called “King of Swing”, without picturing those fingers rippling as he plays an inventive solo, improvising on a jazz tune.

Equally pleasing is the fact that both Les Paul and Chet Atkins have the Sun in Gemini in their birth charts. These are two pioneers of the electric guitar. Picture their fingers flying around the fretboard at lightning speed.

Inventive genius Les Paul was also one of the first to use double-tracking techniques so that he could duet with himself. How’s that for Gemini?  He also used electronic wizardry to speed up the sound of his guitar.

Chet Atkins brought a wonderful lightness of touch to his guitar playing on high-speed tunes like “Mr. Sandman”. Speed of playing and light-heartedness seem to be the characteristics of many Gemini musicians. But there’s also this dual-nature to think about. Take, for example, trumpeter Miles Davis (born 25th May) who was known for being difficult to deal with.

I heard bass player Marcus Miller (June 14th) tell this story about Miles Davis. Although he’d heard terrible stories about Miles being impossible to work with, Marcus Miller went along for an audition.

Miles said something like, “Just play E and F sharp. That’s all.”

Marcus Miller, a brilliant bass player, did as he was told. After a short while, Miles stopped playing and said, “Are they the only two notes you know?”

Miller began playing runs and fills with every possible note in them. Miles stopped playing and said, “I thought I told you just to play E and F sharp?”

The story ends happily though. Driving from the audition in a foul-temper, Marcus Miller switched on the radio to hear his uncle Wynton Kelly with Miles Davis playing “Someday My Prince Will Come”. Taking this as a sign, Miller took the job with Davis and they went on to produce some wonderful music in the last phase of Miles’ life.

Miles Davis is one of many Gemini musicians who were able to change and adapt over the years. Always at the forefront of changes, Miles Davis’ musical output is amazing. As a youngster he was a pioneer of Be-Bop playing alongside Charlie Parker. Be-Bop tunes were deliberately constructed to be so fast and difficult that only best musicians could play the themes let alone improvise around them.

In his early years, Miles was going through the phase where he was trying to play “The Flight Of The Bumblebee” as fast as possible. Many musicians know about this phase but some never grow out of it.

Constantly searching, Miles recorded an album called “Birth of the Cool” – what a title – which featured tightly written arrangements with a heady, intellectual sound. After that period came the magnificent “Kind Of Blue” featuring a crystal-clear, sparse sound with Miles Davis’ trumpet now playing a very different, instantly recognisable sound.

And throughout the late 1960s and 1970s, recordings by groups led by Miles Davis were consistently challenging and ground-breaking. This continued right through to the Marcus Miller period towards the end of Miles’ life.

Longevity and changing with the times seems to be a feature of Gemini musicians like Miles Davis. Les Paul still plays guitar and he’s 90 years old. Bob Dylan went from acoustic musician to the leader of an electric band much to the dismay of the die-hard fans. Dylan’s career has been full of twists and turns but he’s still around.

And surely, Bob Dylan is an excellent example of the Gemini mind at work. Lyrics tumbling out of him, each verse full of ideas and imagery, constantly creative and inventive. Anyone listening to Bob Dylan now as a DJ on BBC Radio will know that the Gemini sense of lightness and fun is alive and well.

Paul McCartney is another Gemini musician who’s come through all sorts of changes. Still making music and trying new things, McCartney’s songs have a lightness about them that fits well with the sign of Gemini. He is also able to have many changes within the same song while preserving some kind of continuity. The Beatles “Sgt. Pepper” album has some magnificent examples of the Gemini mind at work. 

But I think that the piano totally exemplifies the sign of Gemini especially one particular style of Jazz playing known as “stride”.

- - -

To play stride, the pianist has to keep a steady time with their left hand whilst playing a broken time and improvising with their right hand. For most of us, this is pretty much impossible to even think about let alone to attempt to play. And yet in the hands of two Gemini musicians, stride piano sounds magnificently wonderful and funny.

Thomas “Fats” Waller was born 21st May 1904 as the Sun moved into Gemini. His music appears to be great fun with him singing in a playful style and shouting encouragement to his fellow musicians as on “Twelfth Street Rag”.

Fats Waller was always one of the first, if not the first, Jazz organist. His skill as a musician extended to being able to use pedals as well.

But listen to his piano playing and you hear the Gemini genius at work. His left hand plays 1-2-3-4 moving through the changes in a way that would normally be perfectly adequate as an accompaniment on its own. But his right hand flies effortlessly over the top playing across the beat in such a way that it makes you smile as your ear tries to assimilate it all.

There’s something about being split in two like this that makes you laugh. It’s at the heart of most jokes. Pure Gemini.

But even more than the great Fats Waller, the pianist who exemplifies the sign of Gemini for me is Erroll Garner.

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Erroll Garner was born on 15th June 1923 in Pittsburgh PA.


This gives Sun Gemini, Mercury Gemini and, provided that he was born after 9 a.m. Venus in Gemini as well.

The powerful Mars/Pluto conjunction in the sign of Cancer the Crab trine Jupiter in Scorpio gives Erroll Garner tremendous physical stamina and endurance. The Moon could well have been tightly involved as well. Apparently he was able to, “…sit at the piano without prior planning and record three albums in one day.”

Here’s a paragraph from his biography on AllMusic.com:

“A brilliant virtuoso who sounded unlike anyone else, Erroll Garner on medium-tempo pieces often stated the beat with his left hand like a rhythm guitar while his right played chords slightly behind the beat, creating a memorable effect.”

Erroll Garner took stride piano playing to a new level. He sounds like two people playing piano together.

But I think that there’s even more of the Gemini two-ness to his playing. Take for example the beautiful song, “Moonglow”. The lyrics to the start of the song are:

“It must have been moonglow
Way up in the blue…”

Often, when you hear Jazz players stating the theme of a song, you can imagine them hearing the lyrics to the tune as they play. There’s no doubt that Erroll Garner would have known the lyrics to “Moonglow” but in his magnificent version, he plays it as if he hears something like this:

“It must must have been moon glow
Way up up in the blue blue…”

So here we have a piano player accompanying himself with his left hand keeping as steady beat while his right hand states the theme in a way that’s slightly against the beat and also doubling up some of the notes in the melody. 

The effect is wonderful. I often burst out laughing just listening to Erroll Garner play.

Here’s another quote from Allmusic.com: 

“His playful free-form introductions (which forced his sidemen to really listen), his ability to play stunning runs without once glancing at the keyboard, his grunting and the pure joy that he displayed while performing were also part of the Erroll Garner magic.”

Erroll Garner was a self-taught genius. His most famous composition is the song “Misty” how ironic for the sign of Gemini that Johnny Burke’s lyrics include the line:

“…never knowing my right foot from my left…”

Mick
February 2009 

 

frankelmick [userpic]

Lesson 2 - Bais

October 5th, 2008 (04:19 pm)
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בַּ Bais

 

Bais makes the b-asic b-aby sound exactly like “b” in English.

 

What does Bais look like to you?

 

The solid line underneath the Bais makes a short clipped “a” sound like a-mazingly a-ccurate a-cupuncture.

 

So the Bais with the vowel underneath it makes the syllable “Ba”.

 

Hebrew reads from right to left so these two syllables say “Aba” 

אַבַּ

frankelmick [userpic]

Extract From An Interview With Rico Van Gelder

September 15th, 2008 (04:26 pm)



“Hello? Is this thing working? When the blue of the night meets the gold of the day, someone waits for me…”
 
“Yeah it’s working fine. So, tell me a little bit about yourself. Like you were saying earlier.”
 
“OK. My name is Eric Van Gelder but everyone calls me Rico. I come from Belgium but for thirty years now I live in Texas. I’m head waiter at ‘Les Quatre Saisons’ a beautiful French restaurant in Austin.”
 
“Yes. Fabulous place. And, Rico, you’re a Blues fan aren’t you?”
 
“Oh yeah. I love the Blues. And I’ve seen some of the greats you know. When I was in Belgium, working at a jazz club in Liege, Django Reinhardt was playing there. Django himself talk to me.”
 
“Fantastic. What was he like then?”
 
“Well, you know, I expect a big star to dress like a big star with maybe a nice suit and elegant shoes but Django, he was wearing boots like he was going walking in the mountains or something! But I watch him closely when he play guitar. Oh là.”
 
“You know how most guitarist they play sort of staying around one place on the guitar. You know, they play maybe at the fifth fret or at the twelfth and all that. Django, he don’t do nothing like that man.”
 
“Really?”
 
“Oh yeah. His fingers move like mad snakes up and down the strings. I never see nothing like that before or since.”
 
“You said that you got to talk to him as well?”
 
“Yeah. Somebody told him that I was a pretty good billiard player so he comes up to me after the show and says, ‘You want to play a game?’ I say, ‘How much we play for?’ He say, ‘I earn 100 franc tonight, how about we play for that?’”
 
“I say, ‘Django, you are crazy.’ But I’m sure he find someone else to play against.”
 
“Who else do you remember meeting?”

”Well, when I first come to Austin, before my son Mickey was born, whenever I have a day off, I used to go and see a show. I saw some fantastic stars but the one I remember most is T-Bone Walker. His name is really Thibaud you know?”
 
 “What a fantastic show he give us. I never see anyone play so well and then the next day I was working and he came into the restaurant just before midnight.”
 
“What was he like?”
 
“It’s funny, when you meet some famous people they are much smaller than you imagine. Thibaud? He look very sad in his eyes you know? Saddest eyes I ever saw. And he look a bit er… vulnerable. I love Thibaud’s music.”
 
“Did you talk to him at all?”

“Oh a man like that, you have to say hello no? I said that I really loved his show and that it was a pleasure to see him. I asked if I could shake his hand and he smile a big smile.”
 

frankelmick [userpic]

Dream Doctor - Channel M

May 13th, 2008 (05:44 pm)
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I was on Channel M Breakfast TV this morning as "The Dream Doctor".

Channel M covers the Greater Manchester area and I've been on their Breakfast Show a couple of times now.  They're very friendly and I enjoy being on the show despite the early start.

This morning's show also featured three cast members from the Northern Ballet's production of "Midsummer Night's Dream". They were in full costume as Puck and two fairies.

So... picture the scene as I sit on the settee with a woman dressed as a fairy who tells me about a dream she had and asks what it might mean. It was a very sweet moment. It's an image that will stay with me I'm sure.

Best wishes,

Mick

frankelmick [userpic]

Hebrew Course

March 13th, 2008 (01:22 pm)
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I'm excited to have finished writing my "Teach Yourself To Read Hebrew" course.

The course is meant for Tarot readers and anyone else who's interested in becoming more familiar with the Hebrew letters. A couple of people are working through the course to test it out.

It's not a language course although you might pick up a few words along the way. It's more about learning to recognise the 22 letters of the Hebrew Aleph-Bais so that you can read Hebrew words.

I intend to make it freely available from my Website, hopefully around July time.

Please drop me a line if you have any questions or comments:

frankelmick@hotmail.com

- - -

Here's the Introduction:

This course is designed to teach you to read the 22 Hebrew letters.

The pronunciation that I’ve used is Classical Hebrew from the Ashkenazi tradition, that’s to say as used by Jewish people from Russia, Poland, Lithuania etc.
 

This is not the same pronunciation as in Ivrit (Modern Hebrew).

 

For the names of the letters in English and for the phonetic spelling of other Hebrew words, I’ve used my own spelling as I hear it with my London accent.

 

Hebrew is written from right to left. The 22 consonants that make up the Hebrew alphabet (“aleph-bais”) are used to write the Hebrew words with the vowels  written below them.

 

So, for example, the name David written in Hebrew style would be:

 

dvD

   i  a

 

You’ll get used to it. J


Hebrew follows a consonant-vowel-consonant pattern and each consonant has its own sound that doesn’t change.

 

Once you’ve mastered the letters, this makes reading Hebrew easier than other languages such as English where the same letters sometimes make different sounds (“tough” “though”) or French which doesn’t always sound the way it looks (“Grand Prix”).  J

 

I was taught to read Hebrew by my grandmother  who came from Ukraine and I hope that this tutorial somehow carries on that tradition.

 

Good luck,

 

Mick

frankelmick [userpic]

Tarot & Astrology Talk - Altrincham

February 14th, 2008 (03:15 pm)

On Wednesday, March 5th I'm giving a talk on Tarot and Astrology at the Phoenix Rising Astrology Group, 121 Park Road, Timperley. 

The talk starts at 8 p.m. and lasts until 10 p.m.

It costs £3 for non-members but that includes a cup of tea :~)

I plan to talk about the Tarot Trumps and their possible correspondences to the planets and the signs of the Zodiac.

Phoenix Rising are a friendly, welcoming group and I'd recommend them to anyone in or around South Manchester who wants to learn more about Astrology.

Please e-mail me for more details:

frankelmick@hotmail.com

Bye for now,

Mick

frankelmick [userpic]

Hand-drawn Birth-charts

December 14th, 2007 (02:11 pm)
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I've started doing 10" x 7" hand-drawn birth-charts for people.

Here's a couple of  examples:

  




Each chart has a gentle, two-line character description above the water-colour horoscope. The border has Celtic designs with the planetary positions and major aspects beneath the chart.

These make an unusual, unique birthday present, especially for parents or grand-parents of a new-born baby.

As an introductory offer, you can have a chart drawn for £5 ($10US) plus postage and packing.

Please e-mail me: frankelmick@hotmail.com for more details.

Thanks and best wishes for the Winter Solstice,

Mick

 

frankelmick [userpic]

Scorpio Music

December 7th, 2007 (12:08 pm)

What genre of music would you say best represents the wonderful sign of Scorpio? Not necessarily Sun in Scorpio but the pure sign of the Scorpion. We need to find something that a) has powerful emotional intensity, b) has nothing superficial about it at all and, crucially for me, c) is totally comfortable with the idea that death is part of life.
 
Let’s start at the top end of the market, Radio 3. There’s plenty of Classical music that has a scorpionic quality. Rachmaninov virtually built a career out of the musical phrase “Dies Irae” and his wonderful symphonic poem “The Isle of the Dead” gets close I think.
 
There’s the bleak, traumatised, emotional landscape of Shostakovich and more recently Arvo Pärt, not to mention Wagner, Richard Strauss and other heavy-duty Teutonic possibilities.
 
Moving down the cultural scale slightly, there’s Heavy Metal. That can get pretty close to the sound of Scorpio. In fact, “The Scorpions” would be an obvious choice. There’s even a sub-genre called Death Metal.
 
For the soundtrack to the film “Judgment Night”, each song featured a collaboration between a Rock band and a Rap band. Some are relatively gentle such as Pearl Jam with Cypress Hill. Others, I think, get much closer to the power of Scorpio, especially the title track by Biohazard with Onyx.
 
There’s always Pop music which for the most part fails to satisfy my second Scorpio criterion because it tends to be fairly superficial. But there are exceptions such as some of those songs that stayed at No. 1 for weeks. “Without You” by Nilsson or “If You Leave Me Now” by Chicago both have something of the emotional intensity of Scorpio.
 
Country/Western offers the fascinating sub-genre of narrative songs that tell the story of the narrator’s death. How does that work? Well, Tom Jones had a huge hit with “The Green Green Grass of Home”, a song which ends with the central character’s death and burial. Marty Robbins “El Paso” is, to my ears anyway, a more enjoyable example.
 
English Folk music – as distinct from Celtic Folk which strikes me as more upbeat –can be pretty bleak. Richard Thompson is a fantastic song-writer but it takes some emotional stamina to sit through more than about twenty minutes of the man’s work.
But would Scorpio sing, “There’s Nothing At The End Of The Rainbow”? 
 
For me, the genre and the artist that best embodies the sign of Scorpio is Gospel music and in particular the magnificent singer, Mahalia Jackson.
 
- - -
 
Gospel music is one of those genres that, unfortunately, is best known to a lot of people by parody. Manic, double-time, clap-clap is used to try to sell us car insurance.
But just as the beautiful, touch guitar playing of Joe Satriani has little in common with Spinal Tap, so the rich, deep singing of Mahalia Jackson is a million miles away from parodies of Gospel music.
 
Let’s take as an example the song “Walking To Jerusalem” written and performed by Mahalia Jackson.
 
The rhythm is a lovely, mid-tempo New Orleans shuffle. The drums could be from a track by Little Feat. The piano playing belongs to a lineage that includes Allen Toussaint, Dr. John, Fats Domino and Professor Longhair.
 
Here’s a section of the lyrics,
 
“I’m gonna
Walk in Jerusalem, talk in Jerusalem
Sing in Jerusalem, shout in Jerusalem
High up
High in Jerusalem
When I die, when I die.”
 
At first glance this seems to be nothing special. Rather repetitive really. But remember that this is the sign of Scorpio and there’s more going on than meets the eye.
 
This song has nothing to do with sight-seeing in the Middle East. Jerusalem represents a heavenly place that Mahalia Jackson hopes to visit after her death. So the central premise of this song is that the singer is totally accepting of her own mortality. Despite the theme of death, the song is uplifting and joyous.
 
The four verbs that Mahalia chooses are walk, talk, sing and shout. All four words are monosyllables. Not only that, they all come from Anglo-Saxon or Norse. Latin-based monosyllables would be chant instead of sing and cry instead of shout.
 
Anyone who wants to write plain English should try to put across what they want to say using straightforward Anglo-Saxon words.
 
Also, the four verbs represent a definite progression along a scale of self-expression. In this context, I think that walk means to move around independently, talk means to express your thoughts, sing means to express your feelings and shout means to express your most intense feelings.
 
The music for these four actions has a nice swing to it but on the words “High up”, the same note is played twice, staccato before the New Orleans beat returns for the final lines.
 
In fact, the moment of death is placed as rather a throwaway in the two-bar turnaround at the end. “High up” is the climax of the piece. Notice that this phrase also contains two Anglo-Saxon monsyallables.
 
Apart from the contracted form “gonna”, the only thing that breaks the run of one syllable words is the repetition of Jerusalem. The name Jerusalem comes from two Hebrew words, “iyr” which means city and “shalom” which most people might recognise as meaning peace. So this is a vision of peace after death.
 
Mahalia Jackson’s Frenchified New Orleans pronunciation “Jer-ooz-alem” only seems to make the whole thing more powerful for me.
 
Writing about Mahalia Jackson in DownBeat magazine, Dan Morgenstern said , “Her art, projected with immense dignity and vital power through the magnificent instrument of her voice, is one of the glories of black American music …”
 
Wilfrid Mellers, in Gospel Women of the Night, goes even further: “… a voice… creates a sound that is as all-embracing, as secure as the womb, from which singer and listener may be reborn.”
 
“Vital power”, “as secure as the womb”, what imagery! And very much related to the sign of Scorpio.
 
Mahalia Jackson seems to have been present at key moments in history. She sang at the inaugural ball for doomed US President Kennedy, she sang before Dr. King’s famous “I have a dream” speech and a few years later at his funeral.
 
She sang “The Lord is my Shepherd” with the Duke Ellington orchestra at the Newport Jazz Festival but she steadfastly refused to sing the Blues.
 
What then, of the Astrology of Mahalia Jackson?
 
- - -
 

Firstly, never mind birth-time, in this case, it’s hard to find an accurate birth-year.
 
Leonard Feather and Ira Gitler’s normally reliable “Encyclopedia of Jazz in the Seventies” gives 26th October 1911. Other sources give 1912.
 
An untimed chart for 26th October 1911 gives the Sun, Mercury and Jupiter all in Scorpio. The Moon opposite Pluto, Jupiter opposite Saturn and Uranus opposite Neptune. Whack in an Earth Grand Trine between Venus, Saturn and Uranus with the Jupiter/Saturn opposition running close to the Uranus/Venus midpoint and this chart has the right kind of power for me.
 
The 1912 chart is also powerful but lacks the Grand Trine and has Mars in Scorpio rather than Jupiter. The Moon applying to the Pluto opposition in the 1911 chart gets my vote.
 
Sun in Scorpio conjunct Mercury in Scorpio. This person has absolutely no problem communicating from the depths of herself. She has no sustained interest in the superficial day-to-day world although the Moon in Sagittarius means that she can hold her own in any context and is quite happy being the centre of attention when it’s on her terms.
 
Jupiter in Scorpio opposite Saturn in Taurus. Mahalia Jackson was a big woman with a huge presence on stage and even in photographs. Although she was the foremost gospel singer, she could have made a fortune had she accepted Louis Armstrong’s offer to sing the Blues. Instead, she travelled the world and touched millions of people with her music.
 
Her private life was troubled at times though. Perhaps the wide square between Mars and Venus reflects this?
 
Pluto, the modern ruler of Scorpio, is in the sign of Gemini and Mars, the traditional ruler, is also in the sign of the Twins. Both Pluto and Mars are ruled by Mercury in Scorpio.
 
The Moon in Sagittarius, which is opposite Pluto, is ruled by Jupiter in Scorpio.
 
All roads lead first to Scorpio. Uranus in Capricorn is ruled by Saturn in Taurus is ruled by Venus in Virgo is ruled by Mercury in Scorpio.
 
But these chains of rulerships all lead on to Gemini, the home of both Mars and Pluto. Scorpio/Gemini seems to suggest powerful vocal communication.
 
- - -
 
Gospel music and in particular the music of Mahalia Jackson fulfils all three of my scorpionic criteria.
 
It’s incredibly intense. Whatever your faith, have a listen to “Walking to Jerusalem” or “He Said He Would” and see how you feel afterwards.
 
There’s nothing superficial about this music. Mahalia Jackson didn’t follow fads or fashions of the day in order to make money. She sang from her heart.
 
The starting point of many of her songs is that she is joyfully embracing the idea of death and looking forward to a spiritual life of holiness and peace.
 
Scorpio carries with it a special kind of healing I think. It’s not fluffy and pink. It goes right into the depths and emerges reborn.
 
 
 
 

frankelmick [userpic]

Birch Mountain Blues

November 22nd, 2007 (04:43 pm)
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Earlier this year I went over to Sweden to visit an old school friend, Paul Phillips. I hadn't seen him in years.

My son Wes came with and we all had a fantastic time playing music together.

As a result, Paul and I started working together, long-distance, writing some Blues songs.

Click here to listen to the work in progress at Paul's website: http://www.fizz-music.com

Hope you like what you hear.

Mick

frankelmick [userpic]

Tarot Weekend - New Aeon

November 16th, 2007 (12:07 pm)
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The next Tarot Weekend is on 8th/9th December 2007 at New Aeon Books, Oldham Street, Manchester.

It's an Introduction To Tarot course that's ideal for beginners or for people who want to deepen their knowledge of the Tarot cards and practise face-to-face reading.

Here are some of things that people have said about the course:

"Great atmosphere, relaxed, easy to absorb the information"
"Excellent teaching input with plenty of opportunity to share ideas" 
"Exactly what I hoped"
"An excellent course for beginners"
"The course was a perfect introduction to reading the Tarot"

We'll be going through the Majors on Saturday and the Minors on Sunday. The course is very interactive and everyone will be encouraged to participate as much as possible. You just need to bring along a 78-card Tarot deck.

The course costs £65 which includes lunch on both days.

To book a place, please ring New Aeon on 0161 839 9293.

Please let me know if you'd like more details about the course.

Thanks and best wishes,

Mick

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